An Investigation Into Sound and Music in Branding

Author:

de Matos Cristiana Martins1

Affiliation:

1. University of the State of Rio de Janeiro, Brazil

Abstract

This chapter presents the production perspective of the sound branding and music branding agencies, the core mission being to investigate the notions of those who produce the sound and musical identity of brands, what is thought about the public, their reactions, and how this influences the development of projects. Given the scarcity of contributions on the perception of professionals and scholars regarding sound and music in branding, an exploratory qualitative approach was implemented. Six individualized semi-structured interviews were conducted with professionals from agencies specializing in the development of sound and music products for brands, three Brazilians and three Portuguese, and one interview with a neuroscientist and neuromarketing specialist. Therefore, about consistent with practical implications, producers of branded sound and music experiences and brand audiences can benefit from the results of this research.

Publisher

IGI Global

Reference19 articles.

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2. De Marchi, L. (2018). Cultural diversity in the communication and culture markets: an overview of discussions and research methods in the music industry. Postgraduate Program in Social Sciences – UFJF, v. 13, n. 2, p. 210-223.

3. De NoraT. (2004). Music in everyday life. Cambridge University Press.

4. ErthalA. (2018). Multisensory communication: understanding ways of feeling. E-papers.

5. Producing corporate sounds: An interview with Karsten Kjems and Soren Holme on sonic branding;N.Graakjaer;Music in Adverstising: Commercial Sounds in Media Communication and Other Settings,2009

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