A Spectral Pitch Class Model of the Probe Tone Data and Scalic Tonality

Author:

Milne Andrew J.1,Laney Robin,Sharp David B.2

Affiliation:

1. MARCS Institute, University of Western Sydney, NSW, Australia

2. The Open University, Milton Keynes, UK

Abstract

In this paper, we introduce a small family of novel bottom-up (sensory) models of the Krumhansl and Kessler (1982) probe tone data. The models are based on the spectral pitch class similarities between all twelve pitch classes and the tonic degree and tonic triad. Cross-validation tests of a wide selection of models show ours to have amongst the highest fits to the data. We then extend one of our models to predict the tonics of a variety of different scales such as the harmonic minor, melodic minor, and harmonic major. The model produces sensible predictions for these scales. Furthermore, we also predict the tonics of a small selection of microtonal scales—scales that do not form part of any musical culture. These latter predictions may be tested when suitable empirical data have been collected.

Publisher

University of California Press

Subject

Music

Reference49 articles.

1. Experimental Methods in Tonality Induction Research: A Review

2. BUDRYS, R. & AMBRAZEVIČIUS, R. (2008). `Tonal' vs `atonal': Perception of tonal hierarchies. In E. Cambouropoulos, R. Parncutt, M. Solomos, D. Stefanou, & C. Tsougras (Eds.), Proceedings of the 4th Conference on Interdisciplinary Musicology (pp. 36-37). Thessaloniki, Greece:Aristotle University.

3. Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry

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