The fragility of artists’ reputations from 1795 to 2020

Author:

Zhang Letian1ORCID,Banerjee Mitali2,Wang Shinan3,Hong Zhuoqiao4

Affiliation:

1. Harvard Business School, Harvard University, Boston, MA 02163

2. Desautels Faculty of Management, McGill University, Montreal, QC H3A 1G5, Canada

3. Kellogg School of Management, Northwestern University, Evanston, IL 60208

4. Princeton Neuroscience Institute, Princeton University, Princeton, NJ 08540

Abstract

This study explores the longevity of artistic reputation. We empirically examine whether artists are more- or less-venerated after their death. We construct a massive historical corpus spanning 1795 to 2020 and build separate word-embedding models for each five-year period to examine how the reputations of over 3,300 famous artists—including painters, architects, composers, musicians, and writers—evolve after their death. We find that most artists gain their highest reputation right before their death, after which it declines, losing nearly one SD every century. This posthumous decline applies to artists in all domains, includes those who died young or unexpectedly, and contradicts the popular view that artists’ reputations endure. Contrary to the Matthew effect, the reputational decline is the steepest for those who had the highest reputations while alive. Two mechanisms—artists’ reduced visibility and the public’s changing taste—are associated with much of the posthumous reputational decline. This study underscores the fragility of human reputation and shows how the collective memory of artists unfolds over time.

Publisher

Proceedings of the National Academy of Sciences

Subject

Multidisciplinary

Cited by 1 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. The afterlife of artists;Proceedings of the National Academy of Sciences;2023-09-07

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