Dissonant music engages early visual processing

Author:

Bravo Fernando1234,Glogowski Jana5ORCID,Stamatakis Emmanuel Andreas23ORCID,Herfert Kristina1ORCID

Affiliation:

1. Department of Preclinical Imaging and Radiopharmacy, University of Tübingen, Tübingen 72076, Germany

2. Cognition and Consciousness Imaging Group, Division of Anaesthesia, Department of Medicine, University of Cambridge, Addenbrooke’s Hospital, Cambridge CB2 0SP, United Kingdom

3. Department of Clinical Neurosciences, University of Cambridge, Addenbrooke’s Hospital, Cambridge CB2 0SP, United Kingdom

4. Institut für Kunst- und Musikwissenschaft, Division of Musicology, Technische Universität Dresden, Dresden 01219, Germany

5. Department of Psychology, Humboldt-Universität zu Berlin, Berlin 12489, Germany

Abstract

The neuroscientific examination of music processing in audio-visual contexts offers a valuable framework to assess how auditory information influences the emotional encoding of visual information. Using fMRI during naturalistic film viewing, we investigated the neural mechanisms underlying the effect of music on valence inferences during mental state attribution. Thirty-eight participants watched the same short-film accompanied by systematically controlled consonant or dissonant music. Subjects were instructed to think about the main character’s intentions. The results revealed that increasing levels of dissonance led to more negatively valenced inferences, displaying the profound emotional impact of musical dissonance. Crucially, at the neuroscientific level and despite music being the sole manipulation, dissonance evoked the response of the primary visual cortex (V1). Functional/effective connectivity analysis showed a stronger coupling between the auditory ventral stream (AVS) and V1 in response to tonal dissonance and demonstrated the modulation of early visual processing via top-down feedback inputs from the AVS to V1. These V1 signal changes indicate the influence of high-level contextual representations associated with tonal dissonance on early visual cortices, serving to facilitate the emotional interpretation of visual information. Our results highlight the significance of employing systematically controlled music, which can isolate emotional valence from the arousal dimension, to elucidate the brain’s sound-to-meaning interface and its distributive crossmodal effects on early visual encoding during naturalistic film viewing.

Publisher

Proceedings of the National Academy of Sciences

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