Abstract
Abstract
To hold that artworks are valuable for their own sake—regardless of whatever secondary value they may have, such as entertainment, formation, education, or a pleasurable experience—is to hold that their final worth is not derived from external or secondary ends. I call this collective set of views the end-in-itself view (or EI view). Nicholas Stang recently leveled a twofold charge of reductio ad absurdum and operating from a double standard against the EI view. In this article, I refute Stang by showing that the charges do not obtain for at least one variation of the EI view that holds artworks to be valuable for their own sake as internally purposive ends-in-themselves (the IP view).
Funder
Alexander von Humboldt-Stiftung
Publisher
Cambridge University Press (CUP)
Reference34 articles.
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3. Hegel's End of Art and Artworks as Internally Purposive Wholes;Gentry;Journal of the History of Philosophy,2022b
Cited by
1 articles.
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