Abstract
Abstract
This research explores how the post-Yugoslav film-makers, in particular Nebojša Slijepčević, Goran Dević, and Srđan Keča, investigate the dilemma of ethnic identity and face the cultural division in the post-conflict societies. The article aims to discuss cinematic representations of the other and conduct a deeper textual analysis of the film Srbenka (2018), in comparison to After the War (2006) and Imported Crows (2004). Also, the article bridges the gap between more conceptual literature on transnational cinema (Stephen Crofts, Steven Rawle, Saša Vojković), nationalism studies (Benedict Anderson, Rogers Brubaker, V.P. (Chip) Gagnon Jr.), as well as history (Tara Zahra) and more empirical analysis providing examples from the contemporary post-Yugoslav cinema. Therefore, the article demonstrates how applying theories from different disciplines enrich film analysis when investigating the otherness.
Publisher
Cambridge University Press (CUP)
Subject
Political Science and International Relations,History,Geography, Planning and Development
Reference53 articles.
1. Maloča, Ivan , producer. 2015–2021. Black & White World / Crno-bijeli svijet. Croatia. Directed by Goran Kulenović. Hrvatska radiotelevizija. 50 min. TV series.
2. Imposing an ideology: cultural trauma and political taboo in Nebojša Slijepčević’s Srbenka
3. Zafranović, Lordan , director. 1978. Occupation in 26 Pictures / Okupacija u 26 slika. Yugoslavia. Cobra film, 2005. 1 hr. 56 min. DVD.
4. Rethinking nationhood: nation as institutionalized form, practical category, contingent event
5. De/re‐construction of subjectivity in contemporary Croatian cinema: becoming European
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献