Abstract
ABSTRACT:This article looks at how and why Bonfire Night celebrations became more peaceful in the later nineteenth century in some smaller Kent towns and what this process reveals about local civic cultures and identities. The drive towards respectability is seen both in the changing business relationships between participants, spectators and local tradesmen and in the evolving role of satire within processions. The ‘social energy’ visible at these events was channelled such that earlier class and other vertical conflicts within these towns were superseded by horizontal rivalries without, as they competed against each other (an important local variant of civic boosterism) to build free public libraries, for example. Moreover, more peaceful ‘Fifths’ and better reading facilities were linked, since both formed part of the much-altered prevailing civic cultures in these towns – their comprehensive, continuous, identity-driven efforts to present themselves in the best possible light against their rivals.
Publisher
Cambridge University Press (CUP)
Subject
Urban Studies,Arts and Humanities (miscellaneous),History,Geography, Planning and Development
Cited by
2 articles.
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