READING THE TEMPLE OF NABU AS A CODED SENSORY EXPERIENCE

Abstract

Archaeological evidence alongside textual sources allow for a deep reading of the meaningful encounters ancient peoples had with their built environments and the ways in which these spaces were connected to cultural values and priorities. This paper argues that the sensory affordances of the first-millenniumb.c. temples of Nabu, the god of wisdom and writing, manifested the exclusive, specialised knowledge that was associated with this god in a manner that differentiated these built environments within the active, sensory landscape of the Neo-Assyrian royal citadel. This potential of the Nabu temples is best shown in the most well-preserved examples at the capital cities of Kalḫu (modern Nimrud) and Dur-Šarrukin (modern Khorsabad). These two temples of Nabu have the same combination of architectural features that produced this sensory experience, despite being in different cities and despite having different spatial layouts. These features include: (1) a sense of emphatic placement of the temples on the royal citadels and distinctive exterior features; (2) an indirect route towards the cult rooms of Nabu that passed through multiple courtyards, passage-chambers, and doorways with remarkable architectural programmes; (3) andakītu-suites, which were associated with the Assyrianakītu-festival andadê-ceremony. The appreciation of knowledge and of experts (Akk.ummânu) materialised in these built environments expresses developments in royal ideology and the preferences of Neo-Assyrian kings, in particular during the eighth and seventh centuriesb.c. This examination of the temples of Nabu demonstrates the ways in which a sensory-oriented approach adds a unique perspective to previous archaeological and textual studies, as well as insight into the relationship between cultural and ideological values and complex sensory landscapes of past societies.