The Cultural Revolution, Artistic Creativity, and Freedom of Expression in Guinea
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Published:1976-06
Issue:2
Volume:14
Page:201-218
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ISSN:0022-278X
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Container-title:The Journal of Modern African Studies
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language:en
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Short-container-title:J. Mod. Afr. Stud.
Abstract
The interdependence between art and society, and the subsequent question of the function of art, belong to the old debate which has divided the artistic world into two broad factions. Radical writers and critics, sometimes labelled as ‘revolutionary’, think that the artistic universe is intimately connected with the socio-political context in which creativity takes place, and hence that art must play an active rôle in the society. The ‘conservatives’, while not necessarily opposing the active involvement of individual artists in politics, cleave to the view of art for its own sake and truth.
Publisher
Cambridge University Press (CUP)
Subject
Sociology and Political Science,Geography, Planning and Development
Reference8 articles.
1. Touré Sékou , ‘La 5e Colonne’, in L'Agression portugaise contre la République de Guinée: liure blanc, p. 626.
2. Touré Sékou , L'Afrique et la Réolution, p. 257.
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