Abstract
Abstract
To speak about the horror of the Holocaust is still extremely difficult. An exploration of our data, a video testimony of a female survivor of the Ghetto in Łódź, showed that she employs certain styles of narration (narrative motifs). This paper first examines some of those motifs and suggests that they might function as a means of self-regulation. In our data they either assist in preventing retraumatization or facilitate the re-experiencing of the dreadful past. The features of those motifs are analysed on a semantic, a prosodic and an embodied level through the usage of Conversation Analysis, PRAAT and Multimodal Analysis.
Reference19 articles.
1. Bleimling, Jasmin (2018): Momente der Begegnung werden zu Momenten der „Störung“. Eine Einzelfallstudie des szenischen Erinnerns der Shoah anhand eines videografierten Zeitzeugengesprächs. In: Paragrana 27 (1), S. 143-162.10.1515/para-2018-0011
2. Boersma, Paul/Weenink, David (2001): PRAAT. doing phonetics by computer. Version 6.0.33. http://www.fon.hum.uva.nl/praat/ (04.01.2018).
3. Buchholz, Michael B. (2018): Momente und ihre Menschen im Zeitzeugen-Interview. In: Paragrana 27 (1), S. 202-218.10.1515/para-2018-0014
4. Goffman, Erving (1979): Footing. In: Semiotica 25 (1-2), S. 1-30. 10.1515/semi.1979.25.1-2.1.
5. Gülich, Elisabeth/Couper-Kuhlen, Elizabeth (2007): Zur Entwicklung einer Differenzierung von Angstformen im Interaktionsverlauf. Verfahren der szenischen Darstellung. In: Reinhold Schmitt (Hg.): Koordination. Analysen zur multimodalen Interaktion, S. 293-337. Tübingen: Gunter Narr.
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献