Forced Migrations as a European Heritage and Resource for Enhancing Intercultural Cohesion

Author:

Narvselius Eleonora1ORCID

Affiliation:

1. Department of Arts and Cultural Sciences, Lund University, Lund, Sweden

Funder

Horizon 2020 Framework Programme

Publisher

Informa UK Limited

Reference78 articles.

1. Alfaro, G. G. 2020. “Walter Benjamin in Fortress Europe: Refugees and the Ethics of Memory in an (ex)Border Town.” In Public Memory in the Context of Transnational Migration and Displacement, edited by S. Marschall, 243–266. Basingstoke: Palgrave Macmillan.

2. Basu, P. 2007. “The Labyrinthine Aesthetic in Contemporary Museum Design.” In Exhibition Experiments, edited by S. Macdonald, and P. Basu, 47–70. Oxford: Blackwell.

3. Basu, P., and S. Macdonald. 2007. “Introduction: Experiments in Exhibition, Ethnography, Art, and Science.” In Exhibition Experiments, edited by S. Macdonald, and P. Basu, 1–24. Oxford: Blackwell.

4. Bennett, J. 2011. “Migratory Aesthetics: Art and Politics Beyond Identity.” In Art and Visibility in Migratory Culture. Conflict, Resistance, and Agency, edited by M. Bal, and M. A. Hernández-Navarro, 107–126. Amsterdam: Brill.

5. Berry M. et al. 2015. Press Coverage of the Refugee and Migrant Crisis in the EU: A Content Analysis of Five European Countries. Report Prepared for the United Nations High Commission for Refugees (December 2015). Cardiff School of Journalism Media and Cultural Studies. https://www.unhcr.org/56bb369c9.pdf.

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