An Inclusive History for a Divided World?

Abstract

ABSTRACTThe article discusses various historiographical problems created by Soviet music and, more broadly, music under the so-called ‘totalitarian’ regimes for the conventional modernism-driven narrative of the twentieth century. It reviews a number of existing challenges to the dominant narrative within musicology and related fields such as art and architectural history, and it proposes ways in which we can move forward. In conclusion, the author considers the new challenges to the breaking down of cold-war barriers, not only in a historical sense, but also today, in the midst of a new cold war.