Publisher
Cambridge University Press (CUP)
Reference41 articles.
1. Peter Hill has been working with these cahiers for over a decade.
2. The most thorough distillation of the authors' methods and findings other than the book, and in English, can be found in Balmer, Lacôte and Murray's 'Messiaen the Borrower: Recomposing Debussy through the Deforming Prism', Journal of the American Musicological Society, 69 (2016), 699-791
3. versions of other composer-orientated chapters have been published in their 'Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet', Twentieth-Century Music, 13 (2016), 233-60
4. and 'Jolivet Revisited: Messiaen's Borrowings in the Incantatory Works of the 1930s', André Jolivet: Music, Art and Literature, ed. Caroline Rae (Abingdon: Routledge, 2018), 188-205.
5. Gavoty, Bernard , ‘Musique et mystique: Le “cas” Messiaen’, Études, 10–12 (1945), 26–7. Quoted in full in Le modèle et l'invention, 20.