1. Sartre. 1968.Literary and Philosophical Essays, 79London: Hutchinson.
2. Marquez, Gabriel Garcia and Mallea, Eduardo. 1977.The Emergence of the Latin American Novel, 64Cambridge: Cambridge U. P. One would have to take issue with Gordon Brotherston who, placing the Uruguayan in the tradition of Faulkner, asserts that like). In fact, genealogy, along with all dependable forms of history, ancestry and childhood, are conspicuously absent in the Onettian oeuvre. Such parentage as is allowed (e.g., in Dejemos hablar al viento, La muerte y la niña, and Cuando ya no importe) tends to be beset with unreliability. With the single, tenuous exception of the Malabia-Bergner set, Santa Maria has nothing remotely comparable to the history-laden Compson, Sartoris or Buendía dynasties.
3. MacAdam, A. 1977.Modern Latin American Narratives, 106Chicago: Univ. of Chicago Press.
4. Seymour-Smith, Martin. 1986.Guide to Modem World Literature, 932London: Macmillan.