Reimagining Blackness through posthumanist sculpture: an analysis of the works of Ghanaian artist, Sulemana Armiyaw-Reference-Cited by-同舟云学术

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Reimagining Blackness through posthumanist sculpture: an analysis of the works of Ghanaian artist, Sulemana Armiyaw

Published:2024-09-06 Issue:1 Volume:11 Page:
ISSN:2331-1983
Container-title:Cogent Arts & Humanities
language:en
Short-container-title:Cogent Arts & Humanities

Author:

Sulemana Armiyaw¹^ORCID,Tieli Jiang¹,Mensah Ebenezer Fiifi²^ORCID,Opoku-Bonsu Kwame³^ORCID

Affiliation:

1. Shanghai Academy of Fine Art, Shanghai University, Shanghai, China

2. Department of Industrial Art, Ho Technical University, Ho, Ghana

3. Department of Painting and Sculpture, College of Art and Built Environment, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/23311983.2024.2398352

Reference36 articles.

1. Rethinking African identity crisis;Afisi O. T.;Nnamdi Azikiwe Journal of Philosophy,,2008

2. Alabi, A. (2005). Theorizing race, theorizing blackness. In A. Alabi (Ed.), Telling our stories: Continuities and divergences in black autobiographies (pp. 15–34). Palgrave Macmillan US.

3. The Concept of Negritude in the Poetry of Leopold Sedar Senghor

4. Baldwin, J. (1961). Nobody knows my name. Dial Press.

5. Braidotti, R. (2013). The posthuman. Polity Press.

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