Doing Curriculum: Inquiry and Experience at the Intersection of Dance and Social-Emotional Learning

Author:

Nesbit Marissa1ORCID,Church Maggie1,Gray Alyssa1

Affiliation:

1. Department of Dance, College of Arts + Architecture, the University of North Carolina, Charlotte, NC

Funder

UNC Charlotte Office of Undergraduate Research

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Education

Reference25 articles.

1. Arts Ed NJ. 2022a. “Arts Education & Social Emotional Learning Framework: A Synergistic Pairing.” SELARTS . https://selarts.org/.

2. Arts Ed NJ. 2022b. “Self-Awareness and Create Lesson Examples 01-02.” SELARTS . https://selarts.org/artistic-process-table-step-1/self-awareness-and-create-lesson-examples0102/.

3. Baxley, Joel, Susanne Burgess, Marissa Nesbit, and Scott Rosenow. 2007. “Defining ‘Best Practice’ in Arts Integration.” Workshop presented at Arts Education: Building Bridges through Arts Integration and Partnerships. Oakland, CA: Conference of the International Network of Schools for the Advancement of Arts Education.

4. How dance promotes the development of social and emotional competence

5. CASEL. 2019. “3 Signature Practices Playbook: Practical Ways to Introduce and Broaden the Use of SEL Practices in Classrooms Schools and Workplaces.” CASEL . https://casel.org/casel_sel-3-signature-practices-playbook-v3/.

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