Hybrid ‘Authenticities’ in youth popular culture: performing costume and identity in the work of South Africa’s Sho Madjozi-Reference-Cited by-同舟云学术

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Hybrid ‘Authenticities’ in youth popular culture: performing costume and identity in the work of South Africa’s Sho Madjozi

Published:2023-05-04 Issue:2 Volume:15 Page:221-238
ISSN:2168-1392
Container-title:Critical African Studies
language:en
Short-container-title:Critical African Studies

Author:

Seda Owen¹,Manyeneng Motshidisi S.¹

Affiliation:

1. Department of Performing Arts, Tshwane University of Technology, RSA, Pretoria, South Africa

Publisher

Informa UK Limited

Subject

General Social Sciences,General Arts and Humanities

Link

https://www.tandfonline.com/doi/pdf/10.1080/21681392.2023.2227293

Reference53 articles.

1. Anderson, Barbara, and Cletus Anderson. 1984. Costume Design. New York: CBS College.

2. Andrews Leigh. 2020. “How Sho Madjozi Brought Traditional Tsonga Xibelani into 2020.” Accessed March 3 2020. https://www.bizcommunity.com/PDF/PDF.aspx?l = 196&c = 415&ct = 1&cr = 201046.

3. Anzaldua, Gloria E. 1987. Borderlands/La Fontera: The New Mestiza. San Francisco: Aunt Lute Books.

4. (Re)Constructing the Carnival: Continuity and Change in Contemporary British Popular Music

5. Benjamin, Walter. 1968 [1935]. The Work of Art in the Age of Mechanical Reproduction. New York: Penguin.

Cited by 1 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Introduction: African youth, popular arts, and cultural politics in everyday life;Critical African Studies;2023-05-04

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