Conclusion

Author:

Salimi Mahsoo

Publisher

Springer Singapore

Reference95 articles.

1. Al-Rifaie, M. M., & Bishop, J. M. (2013, April). Swarmic paintings and colour attention. In International conference on evolutionary and biologically inspired music and art (pp. 97–108). Springer. https://doi.org/10.1007/978-3-642-36955-1_9

2. Andrade, D. D., Fachada, N., Fernandes, C. M., & Rosa, A. C. (2020). Generative art with swarm land-scapes.

3. Ars Electronica Futurelab (2021). https://ars.electronica.art/futurelab/en/

4. Aupetit, S., Bordeau, V., Monmarché, N., Slimane, M., & Venturini, G. (2003, December). Interactive evolution of ant paintings. In The 2003 congress on evolutionary computation, CEC'03. (Vol. 2, pp. 1376-1383). IEEE.

5. Barrass, T. (2001). Visualising the emergence of shared behavioural pathways in a crowd. Artistʼs presentation. In A. Dorin (Ed.), Proceedings of Second Iteration (pp. 22–23). CEMA.

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