Examining the Place of Female Musicians in Zimbabwe’s Music Industry

Author:

Katiji Edith,Muranda RichardORCID

Publisher

Springer Nature Singapore

Reference31 articles.

1. Ahmed, N. M. (2017). An Africana womanist reading of the unity of thought and action. Journal of Humanities and Social Science, 22(3), 58–64.

2. Bain, V. (2019). Counting the music industry: The gender gap. A study of gender inequality in the UK Music Industry. Retrieved on 12 September 2022 from https://www.academia.edu/40898607/counting_the_music_industry_the_gender_gap_a_study_of_gender_inequality_in_the_uk_music_industry

3. Blackmon, J. L. (2008). I am because we are: Africana womanism as a vehicle of empowerment and influence. Masters of Arts in History Virginia Polytechnic Institute and State University.

4. Born, A., Ranehillb, E., & Sandberg, A. (2018). A man’s world?—The impact of a male-dominated environment on female leadership. Working Paper in Economics, 744, 1–80.

5. Chabaya, O., & Gudhlanga, E. S. (2013). Striving to achieve gender equity in education: A Zimbabwean experience. Zimbabwe Journal of Educational Research, 25(1), 123–148.

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