1. Boleslaw Taborski, Byron And The Theatre(Salzburg Studies in English Literature, Salzburg, 1972) 229–56.
2. David Erdman, ‘Byron’s Stage-Fright’, in English Literary History, VI (1939) 219–43.
3. Bertolt Brecht, ‘A Short Organum For the Theatre’, in Brecht on Theatre, trans. John Willett (London, 1964) 188.
4. William Hazlitt, from his unsigned review of Marino Faliero, London Magazine(May 1821). Quoted in Byron: The Critical Heritage, ed. Andrew Rutherford (London, 1970) 208–9.
5. Reginald Heber, from his unsigned review in the Quarterly Review(November 1822). Quoted in Rutherford, op. cit., 239.