The Portrait of “Alienated” Artist and Revisionist Historiography in the East-Asian Auteur Cinema Since 1980s

Author:

Ghosh Manas

Publisher

Springer Science and Business Media LLC

Subject

Political Science and International Relations,Development,Geography, Planning and Development

Reference25 articles.

1. Benjamin, W. (1968). The story-teller: Reflections on the works of Nicolai Lescov. In Ardent, H. (Ed.), Illuminations: Essays and Reflections. New York: Schocken Books.

2. Bordwell, D. (2016). Hou Hsiao-hsien: Film cultures finally comes through. http://www.davidbordwell.net/blog/2016/06/06/hou-hsiao-hsien-film-culture-finally-comes-through/ (10 August 2018).

3. Chen, K-H. (2005). A Borrowed Life and Banana Paradise: De-Cold War/decolonization, or modernity and its tears. In Berry, C. & Lu, F. (Eds.), Island on the Edge: Taiwan New Cinema and After (pp. 39–53). Hong Kong: Hong Kong University Press.

4. Chen, K-H. (2010). Asia as Method: Toward Deimperialization. Durham: Duke University Press.

5. Chen L. C-J. (2006). Cinema, dream, existence: The films of Hou Hsiao-hsien. New Left Review, No. 39, 73–106.

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